[{"name":"Literary Criticism","count":16,"id":1},{"name":"Literary Spectrum","count":16,"id":2},{"name":"文化批评","count":16,"id":3},{"name":"文学经纬","count":16,"id":4},{"name":"海上观澜","count":15,"id":5},{"name":"文艺","count":14,"id":6},{"name":"理论前沿","count":14,"id":7},{"name":"文学","count":13,"id":8},{"name":"Cultural Spectrum","count":12,"id":9},{"name":"New Vision","count":12,"id":10},{"name":"文化纵横","count":12,"id":11},{"name":"新时代新视野","count":12,"id":12},{"name":"会议综述","count":11,"id":13},{"name":"文化聚焦","count":11,"id":14},{"name":"文艺批评","count":11,"id":15},{"name":"Culture","count":10,"id":16},{"name":"Literature","count":10,"id":17},{"name":"文化","count":10,"id":18},{"name":"访谈","count":10,"id":19},{"name":"Urban Culture","count":9,"id":20},{"name":"名师学案","count":9,"id":21},{"name":"城市文化","count":9,"id":22},{"name":"文化理论前沿","count":8,"id":23},{"name":"笔记","count":8,"id":24},{"name":"艺术新视界","count":8,"id":25},{"name":"学术经典与人物","count":7,"id":26},{"name":"阅读札记","count":7,"id":27},{"name":"Advanced Theories","count":6,"id":28},{"name":"Literature and Art","count":6,"id":29},{"name":"书评","count":6,"id":30},{"name":"学术专题:美学","count":6,"id":31},{"name":"方法与文本","count":6,"id":32},{"name":"理论","count":6,"id":33},{"name":"美学研究","count":6,"id":34},{"name":"Artistic and Literary Criticism","count":5,"id":35},{"name":"学术专题:神话学研究","count":5,"id":36},{"name":"数字人文","count":5,"id":37},{"name":"文化溯源","count":5,"id":38},{"name":"文艺评论","count":5,"id":39},{"name":"Theories","count":4,"id":40},{"name":"专题:新常态下的城市社区建设","count":4,"id":41},{"name":"学术专题","count":4,"id":42},{"name":"当代人","count":4,"id":43},{"name":"文化 百年科幻与当代中国","count":4,"id":44},{"name":"文化聚焦:五四运动100周年纪念","count":4,"id":45},{"name":"综述","count":4,"id":46},{"name":"Artistic Research","count":3,"id":47},{"name":"Digital Humanities","count":3,"id":48},{"name":"Literary and Art Criticism","count":3,"id":49},{"name":"专题:城市文明的多元培育与提升","count":3,"id":50},{"name":"作家文化访谈","count":3,"id":51},{"name":"城市文化 打造人文之城:使命与愿景","count":3,"id":52},{"name":"学人书话","count":3,"id":53},{"name":"学术专题:工匠文化","count":3,"id":54},{"name":"学术专题:当代小说研究","count":3,"id":55},{"name":"学术专题:认知美学","count":3,"id":56},{"name":"学术专题:通俗文学研究","count":3,"id":57},{"name":"文化纵横·NFT价值的批评向度","count":3,"id":58},{"name":"文学评论","count":3,"id":59},{"name":"海上新论研究:实践存在论美学","count":3,"id":60},{"name":"经典新读","count":3,"id":61},{"name":"视野","count":3,"id":62},{"name":"Advanced Theory","count":2,"id":63},{"name":"Specials: Commemorate the 100th Anniversary of the Birth of Mr. Jiang Kongyang","count":2,"id":64},{"name":"Specials: The 80th Anniversary of The Speech on Literature and Art at Yan’an Forum","count":2,"id":65},{"name":"《在延安文艺座谈会上的讲话》80周年专题","count":2,"id":66},{"name":"专题 艺术:疗愈城市的一米阳光","count":2,"id":67},{"name":"学术专题(生命共同体与命运共同体)","count":2,"id":68},{"name":"学术专题(美学)","count":2,"id":69},{"name":"学术专题:中国美学","count":2,"id":70},{"name":"学术专题:巫文化研究","count":2,"id":71},{"name":"学术专题:朱光潜美学","count":2,"id":72},{"name":"学术专题:福柯研究","count":2,"id":73},{"name":"学术专题:科幻作品研究","count":2,"id":74},{"name":"理论 纪念蒋孔阳先生诞辰100周年","count":2,"id":75},{"name":"红色文化研究","count":2,"id":76},{"name":"艺术人文","count":2,"id":77},{"name":"On Classics","count":1,"id":78},{"name":"Reread Classics","count":1,"id":79},{"name":"Reread the Classics","count":1,"id":80},{"name":"Rereading Classics","count":1,"id":81},{"name":"Special","count":1,"id":82},{"name":"Specials: Chinese-Style Modernization and Shanghai Culture","count":1,"id":83},{"name":"Specials: The Inheritance and Innovation of Chinese Excellent Traditional Culture","count":1,"id":84},{"name":"专题","count":1,"id":85},{"name":"专题 中华优秀传统文化的传承与创新","count":1,"id":86},{"name":"专题 中国式现代化与上海文化","count":1,"id":87},{"name":"争鸣","count":1,"id":88},{"name":"学人访谈","count":1,"id":89},{"name":"学术争鸣","count":1,"id":90},{"name":"文化聚焦:\"新中国70年文化逻辑\"笔谈","count":1,"id":91},{"name":"文化评论:书评","count":1,"id":92},{"name":"文学史","count":1,"id":93},{"name":"文论新探","count":1,"id":94},{"name":"经典","count":1,"id":95},{"name":"经典书评","count":1,"id":96},{"name":"讲堂","count":1,"id":97},{"name":"跨界叙事","count":1,"id":98}]