[{"name":"展览现场","count":300,"id":1},{"name":"EXHIBITION REVIEWS","count":269,"id":2},{"name":"ART HISTORY AND THEORIES","count":260,"id":3},{"name":"史论经纬","count":231,"id":4},{"name":"艺术视野","count":179,"id":5},{"name":"ART VISION","count":176,"id":6},{"name":"美术史论","count":168,"id":7},{"name":"THEORETICAL RESEARCH","count":140,"id":8},{"name":"理论研究","count":138,"id":9},{"name":"Art History and Theories","count":107,"id":10},{"name":"艺术设计","count":99,"id":11},{"name":"艺术论坛","count":96,"id":12},{"name":"设计前沿","count":93,"id":13},{"name":"DESIGN RESEARCH","count":87,"id":14},{"name":"FIGURES OF TODAY","count":87,"id":15},{"name":"设计研究","count":87,"id":16},{"name":"今日人物","count":79,"id":17},{"name":"Forefront of Design","count":62,"id":18},{"name":"Forum on Art","count":61,"id":19},{"name":"ART DESIGN","count":55,"id":20},{"name":"ANCIENT ART HISTORY","count":51,"id":21},{"name":"古代美术史","count":51,"id":22},{"name":"海外艺术","count":51,"id":23},{"name":"艺术家","count":49,"id":24},{"name":"OVERSEAS ART RESEARCH","count":46,"id":25},{"name":"海外美术研究","count":46,"id":26},{"name":"ART RESEARCH","count":43,"id":27},{"name":"美术研究","count":43,"id":28},{"name":"Artists","count":36,"id":29},{"name":"当代艺术论坛","count":36,"id":30},{"name":"ART EDUCATION","count":35,"id":31},{"name":"Exhibition Reviews","count":32,"id":32},{"name":"美术教育","count":30,"id":33},{"name":"Artistic Design","count":29,"id":34},{"name":"Forum on Contemporary Art","count":28,"id":35},{"name":"MODERN ART HISTORY","count":27,"id":36},{"name":"百年校庆","count":27,"id":37},{"name":"艺术教育","count":27,"id":38},{"name":"CENTENARY CELEBRATION OF TAFA","count":26,"id":39},{"name":"ART ECOLOGY","count":25,"id":40},{"name":"OVERSEAS ART","count":25,"id":41},{"name":"教学研究","count":25,"id":42},{"name":"艺术生态","count":25,"id":43},{"name":"近现代美术史","count":25,"id":44},{"name":"CHINESE ART HISTORY","count":23,"id":45},{"name":"MONOGRAPHIC STUDIES","count":23,"id":46},{"name":"专题研究","count":23,"id":47},{"name":"中国美术史","count":23,"id":48},{"name":"Art Education","count":22,"id":49},{"name":"Overseas Art","count":22,"id":50},{"name":"HOTSPOT FIGURES","count":21,"id":51},{"name":"热点人物","count":21,"id":52},{"name":"诗画合璧","count":19,"id":53},{"name":"ART AND SCIENCE","count":18,"id":54},{"name":"教育教学","count":18,"id":55},{"name":"艺术与科学","count":18,"id":56},{"name":"TEACHING AND RESEARCH","count":17,"id":57},{"name":"CROSS-MEDIA RESEARCH","count":16,"id":58},{"name":"跨媒体研究","count":16,"id":59},{"name":"ARTISTIC DESIGN","count":15,"id":60},{"name":"DESIGN SPACE","count":15,"id":61},{"name":"传统文脉与当代精神","count":15,"id":62},{"name":"设计时空","count":15,"id":63},{"name":"ART TEACHING","count":14,"id":64},{"name":"CROSS-MEDIA ART","count":14,"id":65},{"name":"Painting Matched with Poetry","count":14,"id":66},{"name":"艺术教学","count":14,"id":67},{"name":"跨媒体艺术","count":14,"id":68},{"name":"当代艺术家","count":13,"id":69},{"name":"艺术家研究","count":13,"id":70},{"name":"青年视野","count":13,"id":71},{"name":"ESSAYS BY YOUTH","count":12,"id":72},{"name":"展事述评","count":12,"id":73},{"name":"时代人物","count":12,"id":74},{"name":"设计·新媒体","count":12,"id":75},{"name":"青年文丛","count":12,"id":76},{"name":"Contemporary Artists","count":11,"id":77},{"name":"DESIGN THEORY","count":10,"id":78},{"name":"Education and Teaching","count":10,"id":79},{"name":"FORUM ON ART","count":10,"id":80},{"name":"STUDY ON ARTISTS","count":10,"id":81},{"name":"TRADITIONAL CONTEXT AND CONTEMPORARY SPIRIT","count":10,"id":82},{"name":"设计理论","count":10,"id":83},{"name":"FIGURES OF THE ERA","count":9,"id":84},{"name":"VISUAL FIELD OF THE YOUTH","count":9,"id":85},{"name":"新锐艺术家","count":9,"id":86},{"name":"艺术新闻","count":9,"id":87},{"name":"Design and New Media","count":8,"id":88},{"name":"Design and New Media Art","count":8,"id":89},{"name":"EDUCATION AND TEACHING","count":8,"id":90},{"name":"QUESTION OF THE TIMES","count":8,"id":91},{"name":"SUMMIT FORUM","count":8,"id":92},{"name":"批评观察","count":8,"id":93},{"name":"时代之问一","count":8,"id":94},{"name":"设计·新媒体艺术","count":8,"id":95},{"name":"高峰论坛","count":8,"id":96},{"name":"Academic Teaching","count":7,"id":97},{"name":"学院教学","count":7,"id":98},{"name":"实验艺术教学","count":7,"id":99},{"name":"ART SCENE","count":6,"id":100},{"name":"COLLEGE SPIRIT","count":6,"id":101},{"name":"CRITICISM AND OBSERVATION","count":6,"id":102},{"name":"EDUCATIONAL EXPLORATION","count":6,"id":103},{"name":"Forum on contemporary Art","count":6,"id":104},{"name":"NEW MEDIA ART","count":6,"id":105},{"name":"VISUAL STUDIES","count":6,"id":106},{"name":"学院精神","count":6,"id":107},{"name":"教育探索","count":6,"id":108},{"name":"新媒体艺术","count":6,"id":109},{"name":"艺术现场","count":6,"id":110},{"name":"视觉研究","count":6,"id":111},{"name":"ARCHITECTURE AND DESIGN","count":5,"id":112},{"name":"ART AND AESTHETIC EDUCATION","count":5,"id":113},{"name":"ART EXHIBITIONS RESEARCH","count":5,"id":114},{"name":"ART MUSEUMS AND EXHIBITIONS","count":5,"id":115},{"name":"Art History Theories","count":5,"id":116},{"name":"BASIC TEACHING AND EXPLORATION","count":5,"id":117},{"name":"COLLEGES AND UNIVERSITIES CONSTRUCTION","count":5,"id":118},{"name":"COMPREHENSIVE RESEARCH","count":5,"id":119},{"name":"CONTEMPORARY ART","count":5,"id":120},{"name":"CONTEMPORARY FIELD OF VISION","count":5,"id":121},{"name":"EVER-EVOLVING SCIENCE AND TECHNOLOGY","count":5,"id":122},{"name":"Experimental Art Teaching","count":5,"id":123},{"name":"JOTTINGS OF ARTISTS","count":5,"id":124},{"name":"New Prominent Art","count":5,"id":125},{"name":"New Prominent Artists","count":5,"id":126},{"name":"QUESTION OF THE TIMES (2)","count":5,"id":127},{"name":"Research on Discipline Construction and Expansion ","count":5,"id":128},{"name":"SELECTED CONTRIBUTIONS","count":5,"id":129},{"name":"SPECIALIZED READING","count":5,"id":130},{"name":"TIMES AND LIFE","count":5,"id":131},{"name":"Traditional Context and Contemporary Spirit","count":5,"id":132},{"name":"WINDOW OF WORLD ART","count":5,"id":133},{"name":"专业阅读","count":5,"id":134},{"name":"世界艺术之窗","count":5,"id":135},{"name":"基础教学","count":5,"id":136},{"name":"基础教学与探索","count":5,"id":137},{"name":"学科建设与学术史拓展研究","count":5,"id":138},{"name":"展览回顾","count":5,"id":139},{"name":"建筑·设计","count":5,"id":140},{"name":"当代艺术","count":5,"id":141},{"name":"当代视野","count":5,"id":142},{"name":"新书荐读","count":5,"id":143},{"name":"新锐艺术","count":5,"id":144},{"name":"时代与生活","count":5,"id":145},{"name":"时代之问(二)","count":5,"id":146},{"name":"来稿选登","count":5,"id":147},{"name":"流动的科技","count":5,"id":148},{"name":"综合研究","count":5,"id":149},{"name":"美术美育","count":5,"id":150},{"name":"美术馆与展览","count":5,"id":151},{"name":"艺术家手记","count":5,"id":152},{"name":"艺术展事研究","count":5,"id":153},{"name":"青年艺术家","count":5,"id":154},{"name":"高校建设","count":5,"id":155},{"name":"ART ACTIVITIES","count":4,"id":156},{"name":"Artists and Art Exhibitions","count":4,"id":157},{"name":"BOOK REVIEWS","count":4,"id":158},{"name":"DESIGN AND NEW MEDIA","count":4,"id":159},{"name":"FAMOUS TEACHERS IN STUDENTS' EYES","count":4,"id":160},{"name":"INTERDISCIPLINARY PRACTICE BETWEEN ART AND SCIENCE","count":4,"id":161},{"name":"MONOGRAPHIC STUDY: FLAMEWORKING GLASS","count":4,"id":162},{"name":"NEW MEDIA RESEARCH","count":4,"id":163},{"name":"NEW PROMINENT ARTISTS","count":4,"id":164},{"name":"OIL PAINTING EDUCATION:LINEACJE AND INHERITANCE","count":4,"id":165},{"name":"REMINISCENCES OF ARTISTS","count":4,"id":166},{"name":"RESEARCH ON ART HISTORY AND THEORIES","count":4,"id":167},{"name":"SOCIAL AESTHETIC EDUCATION","count":4,"id":168},{"name":"TEACHING RESEARCH","count":4,"id":169},{"name":"Teaching Research","count":4,"id":170},{"name":"VISUAL LEGACY","count":4,"id":171},{"name":"YOUTH VISION","count":4,"id":172},{"name":"专题研究·灯工玻璃","count":4,"id":173},{"name":"史论研究","count":4,"id":174},{"name":"学子看名师","count":4,"id":175},{"name":"新媒体研究","count":4,"id":176},{"name":"油画教育·学脉传承","count":4,"id":177},{"name":"社会美育","count":4,"id":178},{"name":"素描研究与教学","count":4,"id":179},{"name":"艺术家·艺术展览","count":4,"id":180},{"name":"艺术家追忆","count":4,"id":181},{"name":"艺术活动","count":4,"id":182},{"name":"艺科跨界实践","count":4,"id":183},{"name":"视觉遗产","count":4,"id":184},{"name":"Congratulation on 82nd Anniversary of Mr. Sun Qife","count":3,"id":185},{"name":"EXHIBITIONS IN RETROSPECTIVE","count":3,"id":186},{"name":"Elementary Teaching","count":3,"id":187},{"name":"FIGURES OF TIMES","count":3,"id":188},{"name":"FOLK ART","count":3,"id":189},{"name":"Folk Art Research","count":3,"id":190},{"name":"MONOGRAPHIC DISCUSSION","count":3,"id":191},{"name":"PARTICULAR SUBJECT","count":3,"id":192},{"name":"PROFILES OF ARTISTS","count":3,"id":193},{"name":"Painting Matched With Poetry","count":3,"id":194},{"name":"REBIRTH OF TRADITION IN DESIGN","count":3,"id":195},{"name":"SELECTED THESES","count":3,"id":196},{"name":"SPECIAL COLUMN OF GRADUATION EXHIBITION AND GRADUATION CEREMONY OF TAFA","count":3,"id":197},{"name":"STUDY OF ARTISTS","count":3,"id":198},{"name":"THEORY OF ART","count":3,"id":199},{"name":"TRACKS OF FORMER STUDENTS OF TAFA","count":3,"id":200}]