[{"name":"Theatrical and Video Art","count":171,"id":1},{"name":"Fine Arts and Design","count":165,"id":2},{"name":"戏剧与影视学","count":137,"id":3},{"name":"Music and Dance","count":121,"id":4},{"name":"教学视窗","count":103,"id":5},{"name":"学术经纬","count":95,"id":6},{"name":"美术与设计学","count":95,"id":7},{"name":"戏剧影视类","count":88,"id":8},{"name":"音乐与舞蹈学","count":84,"id":9},{"name":"Music","count":79,"id":10},{"name":"美术设计类","count":76,"id":11},{"name":"音乐类","count":70,"id":12},{"name":"教育探索","count":66,"id":13},{"name":"当代视点","count":49,"id":14},{"name":"音乐舞蹈类","count":47,"id":15},{"name":"Pedagogical Window","count":46,"id":16},{"name":"Window of Teaching","count":46,"id":17},{"name":"Forum of Academy","count":45,"id":18},{"name":"Stage and Screen","count":42,"id":19},{"name":"Contemporary Perspectives","count":40,"id":20},{"name":"作品研究","count":36,"id":21},{"name":"艺术评析","count":36,"id":22},{"name":"Academic Forum","count":25,"id":23},{"name":"设计实践","count":25,"id":24},{"name":"Fine Arts","count":24,"id":25},{"name":"产业研究","count":24,"id":26},{"name":"传统美学","count":24,"id":27},{"name":"美术类","count":23,"id":28},{"name":"Education Exploration","count":22,"id":29},{"name":"舞蹈类","count":22,"id":30},{"name":"艺海拾珠","count":22,"id":31},{"name":"Visual Space","count":21,"id":32},{"name":"吉艺资讯","count":21,"id":33},{"name":"视觉空间","count":21,"id":34},{"name":"Dance","count":20,"id":35},{"name":"创新收获·吉艺资讯","count":20,"id":36},{"name":"博学求真·学者观点","count":20,"id":37},{"name":"域外观察","count":19,"id":38},{"name":"非遗传承","count":19,"id":39},{"name":"Traditional Aesthetics","count":18,"id":40},{"name":"Arts Industry","count":17,"id":41},{"name":"艺术学","count":17,"id":42},{"name":"谈艺录","count":17,"id":43},{"name":"Research of Culture and Arts Industry","count":16,"id":44},{"name":"文化艺术产业研究","count":16,"id":45},{"name":"视域传播","count":16,"id":46},{"name":"Design Area","count":15,"id":47},{"name":"百年影史 美学重构 创新发展——2018首届中国电影美学年会","count":15,"id":48},{"name":"至善尽美·作品选登","count":15,"id":49},{"name":"设计语境","count":15,"id":50},{"name":"音乐","count":15,"id":51},{"name":"传统艺术","count":14,"id":52},{"name":"音乐研究","count":14,"id":53},{"name":"丹青引","count":13,"id":54},{"name":"Fine Art","count":12,"id":55},{"name":"中英创作领域交流论坛","count":12,"id":56},{"name":"戏剧影视","count":12,"id":57},{"name":"特别策划·\"培元立心 臻于至美——美术名家作品邀请展\"学术论坛发言实录","count":12,"id":58},{"name":"Dramas and Movies","count":11,"id":59},{"name":"学习经纬","count":11,"id":60},{"name":"Art Criticism","count":10,"id":61},{"name":"专题策划·中华优秀传统文化的创造性转化与创新性发展","count":10,"id":62},{"name":"地域艺术","count":10,"id":63},{"name":"美术","count":10,"id":64},{"name":"艺术传播","count":10,"id":65},{"name":"艺术史论","count":10,"id":66},{"name":"Art Life","count":9,"id":67},{"name":"Art and Technology in the Era of Digital Intelligence","count":9,"id":68},{"name":"FORUM OF ACADEMY","count":9,"id":69},{"name":"Special Planning","count":9,"id":70},{"name":"Theatrical Video Art","count":9,"id":71},{"name":"专题策划·新艺术课程标准背景下艺术教育\"大中小\"一体化发展研讨会","count":9,"id":72},{"name":"创意文化 智慧科幻 畅想未来——中国首届“蓝星球”科幻与电影高峰论坛","count":9,"id":73},{"name":"数智时代的艺术与技术","count":9,"id":74},{"name":"艺术美学","count":9,"id":75},{"name":"史海钩沉","count":8,"id":76},{"name":"技术与艺术","count":8,"id":77},{"name":"美育研究","count":8,"id":78},{"name":"Dancing","count":7,"id":79},{"name":"地域文化","count":7,"id":80},{"name":"影视艺术","count":7,"id":81},{"name":"百家争鸣·学术经纬","count":7,"id":82},{"name":"艺术新见","count":7,"id":83},{"name":"艺术评论","count":7,"id":84},{"name":"Arts Theory","count":6,"id":85},{"name":"Mcademic Forum","count":6,"id":86},{"name":"Touching The Animation of the World (fourteen)","count":6,"id":87},{"name":"Touching The Animation of the World(sixteen)","count":6,"id":88},{"name":"东北地域文化","count":6,"id":89},{"name":"东北地域艺术","count":6,"id":90},{"name":"学术经纬 Academic Forum -- 美术与设计学 Fine Arts and Design","count":6,"id":91},{"name":"新时代美育","count":6,"id":92},{"name":"点击世界动画(十六)","count":6,"id":93},{"name":"点击世界动画(十四)","count":6,"id":94},{"name":"特别策划· 2018中国动态影像视觉艺术高端论坛","count":6,"id":95},{"name":"特别策划·新中国成立70周年专题","count":6,"id":96},{"name":"艺术学研究","count":6,"id":97},{"name":"视域美学","count":6,"id":98},{"name":"Arts","count":5,"id":99},{"name":"Arts in Northeast China","count":5,"id":100},{"name":"Classic","count":5,"id":101},{"name":"Drama","count":5,"id":102},{"name":"WINDOW OF TEACHING","count":5,"id":103},{"name":"Window of Teching","count":5,"id":104},{"name":"中国戏剧电影史","count":5,"id":105},{"name":"人才培养","count":5,"id":106},{"name":"学术经纬 Academic Forum -- 戏剧与影视学 Theatrical and Video Art","count":5,"id":107},{"name":"学术经纬 Academic Forum -- 音乐与舞蹈学 Music and Dance","count":5,"id":108},{"name":"学术论坛","count":5,"id":109},{"name":"戏剧类","count":5,"id":110},{"name":"教育视窗","count":5,"id":111},{"name":"点击世界动画(十二)","count":5,"id":112},{"name":"特别策划·中国电影与时代同频共振","count":5,"id":113},{"name":"经典殿堂","count":5,"id":114},{"name":"美术研究","count":5,"id":115},{"name":"舞蹈","count":5,"id":116},{"name":"艺术创谈","count":5,"id":117},{"name":"艺术管理","count":5,"id":118},{"name":"视觉人生","count":5,"id":119},{"name":"音乐美学","count":5,"id":120},{"name":"Desion","count":4,"id":121},{"name":"Featured Topic:High-Quality Development of Arts Management in China","count":4,"id":122},{"name":"Fixing the Blame","count":4,"id":123},{"name":"JUA 70th Anniversary","count":4,"id":124},{"name":"Touching The Animation of the World (Twelve)","count":4,"id":125},{"name":"Touching The Animation of the World (fifteen)","count":4,"id":126},{"name":"Touching The Animation of the World, Thirteen","count":4,"id":127},{"name":"Visiual Life","count":4,"id":128},{"name":"专题策划·中国艺术管理的高质量发展","count":4,"id":129},{"name":"东北戏剧史研究","count":4,"id":130},{"name":"吉艺人才培养","count":4,"id":131},{"name":"吉艺科研与创作","count":4,"id":132},{"name":"学术报道","count":4,"id":133},{"name":"学科建设·会议综述","count":4,"id":134},{"name":"指瑕求疵","count":4,"id":135},{"name":"校庆专栏","count":4,"id":136},{"name":"点击世界动画(十三)","count":4,"id":137},{"name":"点击世界动画(十五)","count":4,"id":138},{"name":"特别策划·建党百年专题","count":4,"id":139},{"name":"舞蹈美学","count":4,"id":140},{"name":"艺术实践","count":4,"id":141},{"name":"艺术设计","count":4,"id":142},{"name":"跨界融合","count":4,"id":143},{"name":"Aesthetic Education for a New Era","count":3,"id":144},{"name":"Design","count":3,"id":145},{"name":"Educational Exploration","count":3,"id":146},{"name":"Exploring History","count":3,"id":147},{"name":"Fine Arst and Design","count":3,"id":148},{"name":"Musics","count":3,"id":149},{"name":"New Vision","count":3,"id":150},{"name":"Research of Arts Industry","count":3,"id":151},{"name":"Research of Northeastern Dramas","count":3,"id":152},{"name":"Reviews of New Publications","count":3,"id":153},{"name":"Striking the World Animated Cartoon","count":3,"id":154},{"name":"Studies about the History of Northeastern Drama","count":3,"id":155},{"name":"Study of Art","count":3,"id":156},{"name":"东北戏曲史专题研究","count":3,"id":157},{"name":"以科技引领创作——科教类节目的制作与新科技在纪录片中的应用","count":3,"id":158},{"name":"创新·开放·融合——2018年度纪录片产业新发展","count":3,"id":159},{"name":"古代艺术","count":3,"id":160},{"name":"史海探赜","count":3,"id":161},{"name":"吉林艺术学院国家艺术基金项目成果推介","count":3,"id":162},{"name":"坚定信仰 永葆情怀 自觉担当——第四届中国电影新力量论坛","count":3,"id":163},{"name":"异域摄真","count":3,"id":164},{"name":"当代艺术","count":3,"id":165},{"name":"当代设计","count":3,"id":166},{"name":"教学之窗","count":3,"id":167},{"name":"文化产业","count":3,"id":168},{"name":"新中国成立70周年·中国当代艺术","count":3,"id":169},{"name":"新著评介","count":3,"id":170},{"name":"新视觉","count":3,"id":171},{"name":"点击世界动画","count":3,"id":172},{"name":"特别策划·金鹰论坛转载","count":3,"id":173},{"name":"用生活谱写温暖——纪实类纪录片的创作","count":3,"id":174},{"name":"百花齐放 精粹掠影 共谱华美篇章——第十四届中国长春电影节盛典风貌","count":3,"id":175},{"name":"艺术设计类","count":3,"id":176},{"name":"视域观察","count":3,"id":177},{"name":"Art History Theory","count":2,"id":178},{"name":"Artist Talk","count":2,"id":179},{"name":"Comment and Introduction of Painters","count":2,"id":180},{"name":"Comment of Artistic Work","count":2,"id":181},{"name":"Comments on Original Works","count":2,"id":182},{"name":"Featured Topic:Research on War-of-Resistance Arts","count":2,"id":183},{"name":"Touching The Animation of the World(Seventeen)","count":2,"id":184},{"name":"东北电影研究","count":2,"id":185},{"name":"中国古代艺术","count":2,"id":186},{"name":"传媒观察","count":2,"id":187},{"name":"传统文化","count":2,"id":188},{"name":"剧本","count":2,"id":189},{"name":"学科建设研究","count":2,"id":190},{"name":"收获创新·吉艺资讯","count":2,"id":191},{"name":"数字艺术","count":2,"id":192},{"name":"文化产权","count":2,"id":193},{"name":"无","count":2,"id":194},{"name":"民族艺术","count":2,"id":195},{"name":"民间艺术","count":2,"id":196},{"name":"点击世界动画(十七)","count":2,"id":197},{"name":"特别策划·专访","count":2,"id":198},{"name":"特别策划·抗战艺术研究","count":2,"id":199},{"name":"特别策划·理论高地","count":2,"id":200}]